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Genre : Jazz. Label : Master Music Ltd. Typically the label will set a projected release date that is subject to change. If a projected release date is known, we will include this in the description in red. The Preorder can be released anywhere between weeks, months or years from its initial announcement. Typical order times are located within the product description. UPC: Current Stock:.

Forever young [sound recording] : | Items | National Library of New Zealand

Click Here for Sound Samples! High Resolution Cutting! Chie is a New York-trained international sensation, performing to dozens of packed houses a year. Her unique phrasing and soulful playing is adored by millions of fans. Influenced by her parents' hobbies, Chie has been surrounded by jazz and Hollywood movies from an early age. She first studied classical piano but soon began to swing, and grew up as a kid that always preferred gospel to psalms. When she was 17 years old, she scraped together all the money she had saved from part-time jobs and left for the land of dreams; the U.

West Coast. After marrying, giving birth then divorcing her husband, she moved back to Japan in She began to sing in a jazz club in Osaka. Thanks to rumors of her vocal performance she soon made a name for herself in the local jazz scene. Since then Chie has been touring regularly across Japan.

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With the help of fans spreading the word via the internet she managed to establish a reputation as an outstanding female singer. Soon her concerts were sold out as soon as they were announced. Harboring an aversion against settling for one thing, Chie has been exploring territories outside the realm of jazz. Her repertory extends from 20's swing jazz to the rock pop standards. High Resolution Cutting Normal production requires the creation of a This technology helps to convert and cut HR master sound source This process produces high resolution CDs with original high bit, HR master sound source by direct cutting technology.

These discs are made with polycarbonate developed for the screen of the liquid crystal display. As it has a higher transparency, players can read the signal more faithfully. Also, it excels in fluidity, which enables you to cast a more accurate pit.

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What works wonders for a low resolution format such as CD should offer even greater sonic improvements in a real high resolution format such as XRCD This extended resolution CD 24 XRCD24 from JVC brings the listener higher fidelity and improved audio quality by enhancing the process of mastering and manufacturing compact discs. The xrcd24 is compatible with all CD players. Forever Young band version 2. Minnie The Moocher 3.

Big Spender 4. Hi resolution streaming digital has an incredible future, but right now high end analog is the musical medium of choice for those who can afford it.

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I plan on being buried with my LP You're unlikely to find anyone who can reliably distinguish the two. People may still pay silly money for old LPs, it's not unusual to find products whose value is divorced from their objective utility. Most people cannot distinguish between high quality digital and an LP. However, that doesn't matter to the people who can.

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An high quality LP recording of a jazz combo has stereo imaging that a CD cannot duplicate. It's possible to hear the relative positions of each of the instruments in space. A CD cannot do that. It is physically impossible for this format to capture all of the sound frequencies in a complex musical instrument.

It records the music with square waves which are inherently distorted. That's why CDs have a harsh and crispy sound. Square waves are what give distorted electric guitars their crunchy sound. Do a Google search for 16 bit graphics to get a visual comparison to what 16 bit audio sounds like.

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I am not anti-digital at all. Digital recordings are great for the car or for iPods. With good equipment and a good listening environment, digital is no match for a quality analog recording. My attitude is that if I consider a song to be worth owning I want to own it in its highest quality format. IMO that format,today,is the CD. If the "high def" audio formats currently employed in many bluray discs is ever used for music discs then that would certainly become the "gold standard".

At home,I want nothing less than CD quality music.

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Away from home I'll settle for MP3s. As a 23 year old, I want to be able to pass my music collection down to my children one day. I'm not going to give them a password to my cloud account. They'll have physical records, and that'll still be appreciated. Think about it this way. Digital is like a high end courtesan who has perfected the technique of eroticism, probably to a far greater extent than your own, fumbling lover.

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But the one thing they cannot duplicate, no matter how good of an actor they may be, is the genuine spiritual and emotional content that goes into making love. If you can distinguish the difference between making love with someone you genuinely love, and expert copulation with an experienced courtesan who is being paid to pretend they love you, at least open your mind to the possibility that analog possesses a certain indefinable property that conveys the emotional and spiritual essence of music in a way that eludes the technically more "correct" digital medium which, itself, is even arguable for reasons beyond the scope of this message.

It is not just nostalgia that causes me to want to listen to records for a good four hours at the end of the day. It's because I love music, and vinyl brings me closer to the intent of the artist than anything I've ever heard. It's true that it takes more time, effort and money to outfit an analog set up in a way that unambiguously overtakes digital in every way, shape and form, but this is precisely where the phenomenon of "connoisseurship" enters into it. When ever there is a component of the appreciation of something that cannot be measured and quantified, a subjective element enters into the equation.

Can you objectively disprove that Wilhelm Furtwangler's classic monophonic recording of Tristan und Isolde is "better" than more technically correct, modern recordings? Probably the direct opposite would be true, if anything, and yet why do so many opera lovers view the Furtwangler recording as one of the most transcendent experiences in a all of music history?

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Even the artists who were present at the recording had no explanation for what they were responsible for producing: to them, it was simply magic, for lack of a better word. The difference between the digital version, on even the highest quality playback system, and the analog version, must be heard to be believed. Even then, you tend to be stuck in the uncomfortable position of acknowledging its superiority, without being able to explain why.

Hopefully, it is easier to explain to others why you prefer making love to your wife as opposed to a person who is expert at going through the motions, but the principle is the same.

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Some things that can be experienced cannot be explained, and not everything that counts can be counted.